![]() For his debut at the Paris Opera, Wajdi Mouawad tells us about the trajectory of Oedipus, this man who ignores himself, in a continuum of organic images, sometimes vegetal, sometimes aerial or aquatic. Despite a triumphant reception, the work was surprisingly rare on the stages during the 20th century. ![]() The orchestra played with ravishing beauty, and. This season, the Paris Opéra opened with the seminal work of Romania’s national composer, Georges Enesco (1881-1955). in the fur of a white rabbit that is being pulled out of the universes top. Kimberly Grigsby led a stirring performance from the Lyric Opera Orchestra, always helping out the singers. The influence of Faur, his master, Stravinsky, Debussy and ancient Romanian musical traditions nourish an orchestral and vocal writing of unparalleled. Mind you, Neef’s choice to open with Georges Enescu’s dipe was a leap of faith, too, perhaps an even bolder one. A rare bird indeed, a short history of Western philosophical thought from. Sophocles' piece has the effect of an electric shock on the Romanian composer who from then on, and even before having a libretto, works on his score, created in 1936 at the Paris Opera. The influence of Fauré, his master, Stravinsky, Debussy and ancient Romanian musical traditions nourish an orchestral and vocal writing of unparalleled originality. Even so, it is to Mouawad that the Paris Opera’s incoming director, Alexander Neef, of Germany, has entrusted the inaugural production of his new regime. Sophocles' piece has the effect of an electric shock on the Romanian composer who from then on, and even before having a libretto, works on his score, created in 1936 at the Paris Opera. In 1909, leaving a performance of Oedipus as the King at the Comédie ‑ Française, Georges Enesco hastened to transcribe the first bars of his future and unique opera.
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